But it probably wouldn’t have seemed so bad if the filmmakers hadn’t surrounded Bond with people who were so intent on cheering him up. Lucky woman.ĭalton got flak for what’s still considered the stoniest of Bond portrayals, and it’s true that the only time you see him smile in the intro to Licence to Kill is when he’s turned upside down. Then it’s off to the wedding, where Bond and Leiter parachute from the helicopter and land in front of the church to rousing cheers. They give chase in the Coast Guard helicopter, and in a fairly impressive bit of stuntwork, lasso the plane with the helicopter’s skyhook. So when a Coast Guard helicopter touches down on the highway in front of them - Forget the wedding, there’s a drug bust going down! - it’s an opportunity for Bond to get back to some good old-fashioned people shooting.īond and Leiter are in pursuit of drug kingpin Franz Sanchez (Robert Davi), and while they do get to shoot some people, making Bond grimace happily, Sanchez manages to escape on a small plane. As Licence to Kill begins, he’s glowering in a morning coat on his way to the wedding of Felix Leiter (David Hedison), a CIA agent and Bond’s best friend insofar as he has any. Graves hangs on to the side, allowing Bond to retort “time to face gravity” before electrocuting Graves with his own suit and causing him to fly into one of the plane’s turbines.Even when he’s having fun, Timothy Dalton doesn’t look like he’s having fun. He makes the classic bad guy mistake of going in for one final gloat, however, telling Bond that it’s “time to face destiny." This allows Bond to pull the cord on Graves’ parachute, sending him hurtling out of the plane. With his technological upper hand, Graves beats Bond and aims to leave him in the crashing plane after taking the only remaining parachute. Bond himself gets locked in a fistfight with the movie’s antagonist, Gustav Graves, who also happens to be wearing an experimental suit of body armor with electrocuting capabilities. The finale of the movie involves a giant solar-powered space laser and a Bond girl sword fight on board an exploding plane. Whatever your thoughts on 2002’s Die Another Day might be, one thing you can never accuse the movie of is a lack of stuff going on. It established that Daniel Craig’s interpretation of Bond as ruthlessly cold from the word go, and set the tone for the darker, more grounded movies to come. But his sentence is cut short by Bond shooting him, his handing swiping a picture of his family off of his desk as he falls. The scene ends with the corrupt section chief telling Bond not to worry, as the second kill is always easier. When he asks how his contact died, Bond simply responds with “not well.” We see that Bond tracked the contact down and engaged the contact in a vicious bathroom brawl that ended with Bond partially drowning the contact in a sink before shooting him. He quickly realizes, however, that Bond has not only taken the bullets out of the gun he had hidden in his desk, but Bond has also already killed his accomplice. His target takes a similarly cocky approach and rests assured in his knowledge that Bond can’t really be an assassin because he’d know if Bond had been promoted to double 0 status. Martin Campbell’s Casino Royale opens with Bond ambushing a corrupt MI6 section chief in Bond’s classically relaxed style.
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